Realmente ahora no ya no explores notions of narrative, invisibility, expectation and how we question the authorship of our own work. 
It is a renegotiation of the desire to narrate and to do so through other voices. The story is constructed from the rewriting of a dialogue about the experience lived after an almost theatrical event/performance of a work that ephemerally exists. 

With the aim of investigating what remains after having attended the first part of Realmente ahora no ya no , which occurs at another time, in another place, and how we narrate the lived experience. Being this past event what marks the construction of the present. 

Far from a stage performance, we witness something that invites us to listen, a sound sequence, a campfire, fragments of a conversation between M, L, N, F, A, L and O.